{"id":327,"date":"2016-12-02T01:09:18","date_gmt":"2016-12-02T00:09:18","guid":{"rendered":"http:\/\/christinewassermann.de\/wordpress\/?page_id=327"},"modified":"2026-01-19T10:49:34","modified_gmt":"2026-01-19T09:49:34","slug":"technik-der-high-speed-video","status":"publish","type":"page","link":"https:\/\/christinewassermann.de\/wordpress\/technik-der-high-speed-video\/","title":{"rendered":"Technik der high-speed Video"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"327\" class=\"elementor elementor-327\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7df274e elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7df274e\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c21cfbb\" data-id=\"c21cfbb\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-e192b23 elementor-widget elementor-widget-heading\" data-id=\"e192b23\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Zur Technik der High-sped Videos<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-cb49419 elementor-widget elementor-widget-spacer\" data-id=\"cb49419\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-3246db1 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"3246db1\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-8686067\" data-id=\"8686067\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-9c7abc5 elementor-widget elementor-widget-video\" data-id=\"9c7abc5\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;video_type&quot;:&quot;hosted&quot;,&quot;controls&quot;:&quot;yes&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"e-hosted-video elementor-wrapper elementor-open-inline\">\n\t\t\t\t\t<video class=\"elementor-video\" src=\"http:\/\/www.christinewassermann.de\\WP-Videoprojekte1\/03_08_2012_II_1.mp4\" controls=\"\" preload=\"metadata\" controlsList=\"nodownload\" poster=\"https:\/\/christinewassermann.de\/wordpress\/wp-content\/uploads\/2022\/11\/16.jpg\"><\/video>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-4d4e280 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"4d4e280\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-9b1a48c\" data-id=\"9b1a48c\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-faa767f elementor-widget elementor-widget-text-editor\" data-id=\"faa767f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Higspeed-Movies ab 2009<\/strong><\/p><p>Seit 2009 protokolliere ich von mir ausgew\u00e4hlte allt\u00e4gliche Situationen mit einer Video-Kamera, die \u00fcber eine Hochgeschwindigkeitsfunktion verf\u00fcgt\u00a0 und statt 30, wie es normaler Weise der Fall ist, 300 Bilder in der Sekunde aufnehmen kann.<br \/>Dieser Sachverhalt hat zur Folge, dass die Abl\u00e4ufe zehnfach verlangsamt wiedergegeben werden, da der Film wiederum mit 30 Bildern pro Sekunde abgespielt wird. Das Filmergebnis kann so Eindr\u00fccke transportieren und sichtbar machen, die das menschliche Auge ohne des Ph\u00e4nomens der Verlangsamung\u00a0 nicht wahrnehmen k\u00f6nnte.<\/p><p>Software seitig bin ich sp\u00e4ter dazu \u00fcbergegangen,\u00a0eine Frame-Rate von 3000 Bildern\/Sekunde darzustellen. Dies verlangsamt die aufgezeichnete Bewegung auf 1 Prozent und ist dann nur mehr in der beinahe unmerklichen Ver\u00e4nderung der Bilder wahrnehmbar.<\/p><p><strong>Higspeed-Movies from 2009<\/strong><\/p><p>Since 2009 I have been recording selected everyday situations with a video camera that has a high-speed function and can record 300 frames per second instead of 30, as is normally the case.<br \/>The consequence of this is that the sequences are reproduced ten times slower, since the film is again played back at 30 frames per second. The film result can thus transport and make visible impressions that the human eye would not be able to perceive without the phenomenon of deceleration.<\/p><p>On the software side, I later switched to displaying a frame rate of 3000 frames\/second. This slows down the recorded movement to 1 percent and is then only perceptible in the almost imperceptible change of the images.<\/p><p>Translated with www.DeepL.com\/Translator (free version)<\/p><p><strong>Sekunden-Filmsequenzen aus aktuellen Reportagen<\/strong><\/p><p>\u201e Ab Mitte 2016 habe ich zunehmend von mir ausgew\u00e4hlte, nur wenige Sekunden lange Filmsequenzen \u2013 h\u00e4ufig aus aktuellen Nachrichtensendungen \u2013 als Ausgangspunkt verwendet. Dabei fiel mir auf, dass die Bildreportagen beinahe ausschlie\u00dflich aus einer schnellen Aneinanderreihung von extrem kurzen Clips bestehen, die einzeln in Ihrer Relevanz kaum mehr vom Betrachter bewusst wahrgenommen werden. Diese aufeinanderfolgenden Spots ergeben eine Melodie, deren einzelne T\u00f6ne nicht mehr eigenst\u00e4ndig aufgenommen werden.<br \/>In dem ich sehr kurze Filmabschnitte isoliere, extrem verlangsame (bis zu 100fach) und ihnen bewusst Unsch\u00e4rfe gebe, versuche ich aus diesen kurzen Filmschnipseln deren individuellen Inhalt in seiner visuellen Essenz herauszuarbeiten. Die entstehenden Ergebnisse sind tonlos, still \u2026<br \/>Durch die Verarbeitung erhalten sie eine eigene \u00e4sthetische Qualit\u00e4t und stehen unabh\u00e4ngig von ihrem Ursprungs-Kontext f\u00fcr sich selbst.\u201c<br \/>Christine Wassermann<\/p><p>\u201eFrom mid-2016 on, I have increasingly used film sequences \u2013 often from current news broadcasts \u2013 selected by me and only a few seconds long as a starting point. I noticed that the photo reportages consist almost exclusively of a quick sequence of extremely short clips, which are hardly consciously perceived by the viewer in their relevance. These sequential spots result in a melody whose individual notes are no longer recorded independently.<br \/>By isolating very short film clips, slowing them down extremely (up to 100 times) and deliberately blurring them, I try to extract their individual content in its visual essence from these short film snippets. The results are soundless, silent \u2026<br \/>Through processing, they acquire their own aesthetic quality and stand for themselves regardless of their original context.\u201c<\/p><p>Christine Wassermann<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-98028bf elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"98028bf\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-d56cb51\" data-id=\"d56cb51\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ea4c11d elementor-widget elementor-widget-image\" data-id=\"ea4c11d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/christinewassermann.de\/wordpress\/wp-content\/uploads\/2023\/09\/Zadar.jpg\" class=\"attachment-full size-full wp-image-2565\" alt=\"\" srcset=\"https:\/\/christinewassermann.de\/wordpress\/wp-content\/uploads\/2023\/09\/Zadar.jpg 1280w, https:\/\/christinewassermann.de\/wordpress\/wp-content\/uploads\/2023\/09\/Zadar-300x169.jpg 300w, https:\/\/christinewassermann.de\/wordpress\/wp-content\/uploads\/2023\/09\/Zadar-1024x576.jpg 1024w, https:\/\/christinewassermann.de\/wordpress\/wp-content\/uploads\/2023\/09\/Zadar-768x432.jpg 768w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Zur Technik der High-sped Videos http:\/\/www.christinewassermann.deWP-Videoprojekte1\/03_08_2012_II_1.mp4 Higspeed-Movies ab 2009 Seit 2009 protokolliere ich von mir ausgew\u00e4hlte allt\u00e4gliche Situationen mit einer Video-Kamera, die \u00fcber eine Hochgeschwindigkeitsfunktion verf\u00fcgt\u00a0 und statt 30, wie es normaler Weise der Fall ist, 300 Bilder in der Sekunde aufnehmen kann.Dieser Sachverhalt hat zur Folge, dass die Abl\u00e4ufe zehnfach verlangsamt wiedergegeben werden, da [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-327","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/christinewassermann.de\/wordpress\/wp-json\/wp\/v2\/pages\/327","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/christinewassermann.de\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/christinewassermann.de\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/christinewassermann.de\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/christinewassermann.de\/wordpress\/wp-json\/wp\/v2\/comments?post=327"}],"version-history":[{"count":10,"href":"https:\/\/christinewassermann.de\/wordpress\/wp-json\/wp\/v2\/pages\/327\/revisions"}],"predecessor-version":[{"id":2987,"href":"https:\/\/christinewassermann.de\/wordpress\/wp-json\/wp\/v2\/pages\/327\/revisions\/2987"}],"wp:attachment":[{"href":"https:\/\/christinewassermann.de\/wordpress\/wp-json\/wp\/v2\/media?parent=327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}